Monday, February 16, 2009

Music Monday - Another Unlikely but Fabulous Ballroom Selection



Another unlikely (but fabulous ) music selection for ballroom - Sway by the Pussycat Dolls is a nice stable tango with an easily recognizable beat.



The original was by Dean Martin, and was originally called Quien Sera. Advanced dancers, historical purists, or just plan Dean Martin fans might like the original better. There are some rhythm variations that make this one a bit tricky. (Or more interesting and fun, depending on your level of comfort with the Tango!)


Being new to the Tango and needing all the help I can get, I personally prefer the Pussycat Dolls version.

We actually used this in our wedding for a fun "second dance" after the serious waltz to get everyone on the floor and having fun. It's a nice song to show off to.

Note to self- next time I won't try to tango in a long wedding dress!

Friday, February 13, 2009

Last call for Ballroom Stories!


I'm sure you're well aware that we close our submissions for the Ballroom Dance Story Contest tonight at midnight!

Be sure to get your great stories in!

Ballroom dancers have the best stories.

We'd love to hear yours!

Thursday, February 5, 2009

Dancing with Steve



by
Fred Miller

One hot, oppressive, August day in the New Orleans French Quarter, I was leisurely walking down Royal Street peering into the antique shop windows. Out of the corner of my eye, I noticed a dreamlike, sweeping ghostly movement from a second story window of the Monteleon Hotel. After a double take, I saw only an empty, wide-open window. Was I getting delirious from the notorious New Orleans summer heat and humidity and seeing things? Then out of nowhere appeared ballroom dancers in flowing long red gowns and tuxedo tails, floating, and gliding by the window with competition numbers on their backs. I felt pulled to go into the hotel lobby and up the stairs to the second floor large convention room where the dance competition was happening.

My first glance into the dance ballroom focused on three older women dancing together on top of the banquet tables dressed in their dance costumes, a long feathered black gown, a turquoise rhinestone laced gown, and a cherry red tango dress. The whole dance arena was vibrating from the stomping, clapping, and a chant of “Dance Dance Dance!” Everyone was dancing by herself, himself or with anyone nearby.

I walked in and sat down next to a teenager, and asked, “What’s going on here?”

She said, “That’s my grandma out there dancing and strutting. All of us grandkids, my mom and dad have come to see her dance competition.” She added, “she is having sooo much fun, I didn’t know grandma could dance like this. Doesn’t she look wild in her leopard skin dress?”

“Where does your grandmother take dance lessons?”

“From Steve at “Steve’s Dance Studio—Steve gives lessons and takes Grandma and her friends to these dance competitions all over the country.”

“Where are all the ladies husbands or boyfriends?”

“Mostly dead, gone or don’t like competition dancing. Dancing gives them something fun to do together.”

I looked around the dance area. The audience was filled with excited, cheering sons, daughters, and grandchildren. It appeared to be a reversal of roles with these not so young ladies—like parents coming to a school play or a little league ball game. The ladies were changing costumes after each performance—very colorful and sexy dresses. The dance gowns were a rainbow of colors, including bright purple, hot pink, flashy yellow and with feathers that shimmered. They were proudly showing off their stylish costumes. The atmosphere seemed like a mini Mardi Gras. Years seemed to be automatically erased from the women’s faces. They looked like they had temporarily recaptured their youth and were playing some type of dress up doll game—like when they were little girls. All the dancers were laughing, smiling, and having the time of their lives.

One of Steve’s fellow dance teaching buddies, Jimmy, sat down next to us. He was tall, suave, dressed in a black fitted dance pants, a black T-shirt, and had a rather wide silver-rhinestone belt buckle. He looks like he stepped out of GQ magazine.

I asked, “Are you having fun?”

“Oh yeah—this is a partttttttty. We do this about seven or eight times a year.”

Looking closer at all the dancers, I noted that each male dance teacher had a table of about six lady dance partners. The men teachers were cordial, and I was totally amazed at how, considerate, and even passionate while dancing with their lady partners. The men had no problem simulating a romantic gaze during the bolero and rumba. It seemed like they were using some type of “virtual realty visualization method”, perhaps pretending that they were dancing with their wife, girlfriend, boyfriend or the love of their life. The men dancers had plenty of camaraderie and they were all clapping, whistling, and cheering for each other. Everyone was encouraged to get excited and give it her all. A $100 cash prize was given out the most enthusiastic dancer.

Steve was a baby faced, nice looking man, and was dressed in a perfectly tailored, elegant navy tuxedo with a purple cummerbund. He looked cavalier in his dance costume. His blond hair was perfectly styled, his teeth sparkled white, and he wears light make-up. By far the smoothest and best male dancer, Steve was very friendly with everyone. He smiled constantly and had a way with all his “dance ladies”---they really seemed to just love him.

The awards ceremony was long and drawn out. Ribbons and trophies were given out for practically everything imaginable—most improved, best costume, best tango dancer, most exotic bolero dancer, and on and on.

After the award presentations, I was talking to Irene, one of Steve’s dance partners. She was very excited and had won a trophy for being the “Overall Best Dancer”. Irene said, “I’m so proud of this trophy—I just can’t believe that I won.”

I asked, “Where is your next competition?”

“West Palm Beach in a month—can’t wait. It’s the biggest dance event of the year. I’ve got a new yellow silk Latin gown that is being custom tailored for the event. It’s going to be beautiful.”

After the dance competition was over and I walked down the hotel steps back to Royal Street and began processing what all I had just experienced. These dancing ladies with their love for dance had refused to quit dancing even if they had to pay an instructor dance host to be their partner. They had not given up on life, but had discovered a way to embrace it. Their dancing had given them joy, aliveness, optimism and something to live for.

Without thinking about it, I found myself skipping and dancing my way down Royal Street.



Thursday, January 29, 2009

StoryTelling Contest - Earning Opportunity for EC Members!

EC Members get Two Bonuses for Participating in Our Valentine's Day Ballroom StoryTelling Contest

First: If you blog about the contest between now and February 14, I'll send you 100 EC Credits!

(Just send an email with a link to your blog entry to paula@ravenwerks.com or comment this entry to collect.)

Second: If you ENTER the contest (you don't have to win, just send in the story of how you got started with ballroom dancing (or would like to!) following these rules, I'll send you another 100 credits. And of course, we'll publish your story (with link) on this blog and you'll get lots of sophisticated, elegant readers.

Do either or both, but do it TODAY before you forget.
I know how busy you are!




Click here for complete guidelines.

Monday, January 26, 2009

How I Got Started with Ballroom - Doris Halleman


When I was in high school in the early 1970’s, two movies came out which I loved. One was The Great Gatsby and the other was American Graffiti. Both had dancing. In The Great Gatsby they danced The Charleston and the Tango and in American Graffiti they danced Swing. I asked my mother if I could take dance lessons to learn these dances. She said okay. Unfortunately, we lived in a small town in Idaho and ballroom dancing was out of fashion at the time. We called the few studios in town but no one could teach these dances.

One studio suggested I take Jazz dancing classes. I was not sure what Jazz dancing was but it sounded like something from the Roaring 20’s so I agreed. A friend and I enrolled in the class. What a mistake! It was nothing like the dancing I wanted to do and I was in a class with people who had been dancing since they were very young! I stayed a few weeks before dropping out. I still wanted to learn to dance but didn’t do anything about it.

Over the years I gained a lot of weight. Occasionally we would get invited to weddings or parties where there was dancing. I would always think “I am going to lose weight and take dance lessons”. Finally I did join Weight Watchers and lost about 80 pounds. About this time I saw that our local Recreation Center was offering beginning Ballroom Dance lessons. My husband and I signed up.

It was a lot more work than I imagined it would be. We didn’t have anywhere to practice since our house was all carpeted except the kitchen and bathrooms and they were too small. So we practiced on the deck to the neighbors’ amusement. After the class at the Recreation Center ended, we signed up for private lessons at a local studio and have been dancing ever since (approximately 3 ½ years total now). We are now Silver level in most dances. About a year after starting dancing, we ripped up the carpet in our living room, refinished the hardwood floor, got rid of all the furniture, and turned it into a practice area.

I continued to lose weight and have lost and kept off 130 pounds for over 2 ½ years. My husband lost and has kept off 65 pounds. I believe this is partly due to ballroom dancing. My husband and I take private lessons twice a week and go out dancing several nights each week. He started a blog about our ballroom dancing. This is the link:

Doris Halleman
Woodbridge, VA

Doris's Link

http://rhumbadervish.blogspot.com/


Thursday, January 22, 2009

This President can Dance!


President Barack Obama and his wife Michelle dance
© AFP Timothy A. Clary

WASHINGTON, (AFP) - "First of all, how good looking is my wife?" Obama cooed to wild applause from the crowd gathered for the very first ball which began a long night of 10 special dances ushering in the Obama era .

Clearly enjoying their moment, the couple kicked off their first dance of the night to Beyonce singing "At Last," the signature song of blues singer Etta James, at what was dubbed "the neighborhood ball."

Billed as the ball for ordinary Americans, community activists and grass-roots organizers had come from far and wide to take part in history.

"You can tell that's a black president, by the way he was moving," joked actor Jamie Foxx as the couple finished after twirling and waltzing, while Beyonce serenaded them from one side of the stage.


Vice President Joe Biden and his wife Jill dance at the Neighborhood Ball
© AFP Stan Honda

First Lady Michelle Obama also showed off her white, one-shouldered flowing gown, studded with applique embroidery and accessorized with thin diamond bracelets, a huge ring and dangling earrings, with peep-toe white shoes.

The dress was designed by young Taiwanese-born designer Jason Wu, who has been in the fashion business for just three years.

"We got the idea of the neighborhood ball, because we are neighborhood people. And I cut my teeth doing neighborhood work," Obama, looking dapper in a black tuxedo and white bow tie, told the crowd.

"If you think about the word, neighborhood starts with neighbor because it indicates a sense that Americans are bound together by what we have in common, much more than what drives us apart."

Some 2,000 people gathered in the ballroom were treated to a rare line-up of stars, including will.i.am, Mariah Carey, Mary J. Blige and Maroon 5.